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stroke widthの例文

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  • The stroke width is 1 / 5 of the diameter, and the gap width is the same.
  • Additionally there is typically little or no contrast in stroke width, and serifs are most often unbracketed.
  • The other two typefaces are similar but have additional stroke width in the letters to compensate for light backgrounds.
  • The styling of Arabic glyphs comes from Times New Roman, which have more varied stroke widths than the Latin, Tahoma.
  • The language-agnostic nature of Project Naptha s underlying Stroke Width Transform algorithm allows it detect the little squiggles as text.
  • These typefaces had a far greater amount of stroke contrast than before, with the difference in stroke width much greater than in earlier types.
  • Named after Baskerville's housekeeper-turned-wife, it uses a low x-height to create a bright page without reducing stroke width.
  • In designing " Century Schoolbook ", M . F . Benton increased the x-height, the stroke width, and overall letterspacing.
  • Optima is however quite restrained in stroke width variation; more display-oriented predecessors such as Britannic show far more differentiation in stroke width than Optima does.
  • Optima is however quite restrained in stroke width variation; more display-oriented predecessors such as Britannic show far more differentiation in stroke width than Optima does.
  • Seal script tended towards uniformity of stroke width, but clerical script gave the brush freer rein, returning to the variations in width seen in early ZhMu brushwork.
  • Although pens with semi-flexible nibs and liquid ink can also vary their stroke width depending on the degree of applied pressure, their variation range is far less obvious.
  • The typeface differs from other realist sans-serifs in its organic shapes and subtle transitions of stroke width, all contributing to a less severe, humanist tone of voice.
  • The rules simply require legible black sans serif characters, no more than 70 mm high and 36 mm wide with a stroke width of 10 mm, on a white reflective background.
  • Dead History s strokes transition from unbracketed serifs and contrasting stroke width on the left side of characters to a mono-weighted sans-serif with soft, rounded terminals on the right.
  • Frutiger's intention was more unusual : to create a design that could be modified by computer, through extreme slanting, morphing or changing stroke width, without seeming as if it had been distorted.
  • The overall stroke width is varied, and rhythmic is seen especially in the serif version of the face, which was inspired by the types of 18th-century punch-cutter Pierre-Simon Fournier.
  • Didot that are often held to typify the modern genre : the serifs, while very broad and flat, remain bracketed, apertures are frequently narrow, and stroke widths tend to be slightly more modulated.
  • Dwiggins however intended to create a font with breaks from pure geometry which could make the design more interesting to read in the lower-case, such as considerable variation in stroke width and sheared terminals on many letters.
  • "' FF Scala "'is an Joanna ( released by Monotype Corporation in 1937 ), with its old style armature but nearly square serifs, is also similar in its nearly mono-weighted stroke width.
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